{"id":16,"date":"2022-01-03T14:23:59","date_gmt":"2022-01-03T14:23:59","guid":{"rendered":"https:\/\/tall19.ffzg.unizg.hr\/?page_id=16"},"modified":"2023-11-14T13:34:48","modified_gmt":"2023-11-14T13:34:48","slug":"members","status":"publish","type":"page","link":"https:\/\/tall19.ffzg.unizg.hr\/en\/members\/","title":{"rendered":"Members"},"content":{"rendered":"\n\n\n\n\n\n

\n<\/strong>\"\"Professor Tatjana Juki\u0107
\nPrincipal Investigator
\n<\/strong>Tatjana Juki\u0107 is Professor and Chair of English Literature in the Department of English at the Faculty of Humanities and Social Sciences, University of Zagreb, where she teaches Victorian literature and arts, and film studies. She has been invited to lecture on literary history, theory and film by universities and research institutes in the United States, China, the United Kingdom, Ireland, Sweden, Germany, Hungary, Serbia, Slovenia, and Bosnia and Herzegovina. President of the Croatian Association for the Study of English. From 2014 to 2018 she was the Principal Investigator in the research project titled \u201eA Cultural History of Capitalism: Britain, America, Croatia\u201c (funded by The Croatian Science Foundation).
\nJuki\u0107 is author of two books: Liking, Dislike, Supervision. Literature and the Visual in Victorian Britain <\/em>(Zazor, nadzor, svi\u0111anje. Dodiri knji\u017eevnog i vizualnog u britanskom devetnaestom stolje\u0107u<\/em>, Zagreb, 2002) and Revolution and Melancholia. Limits of Literary Memory<\/em> (Revolucija i melankolija. Granice pam\u0107enja hrvatske knji\u017eevnosti<\/em>, Zagreb, 2011). While the first explores the intersections of the visual and the literary in Victorian culture in relation to the Victorian handling of politics, colonial experience, subjectivity and sexuality, the second undertakes to analyze the complex relationship of the event of the revolution in modern societies, especially in the former Yugoslavia, to the junctures of subjectivity and political economy. Revolution and Melancholia<\/em> was singled out by Oslobo\u0111enje<\/em>, the leading Sarajevo daily newspaper, as the event of 2011 in literary studies. In addition, Juki\u0107 has published in The Henry James Review<\/em>, Victorian Studies<\/em>, Orbis Litterarum<\/em>, Style<\/em>, Neue Rundschau<\/em> and European Journal of English Studies<\/em>, among others. Her most recent research, on the Victorian chthonic sublime, came out in The Cambridge Companion to the Romantic Sublime<\/em> (ed. Cian Duffy), 2023. She is currently completing a book titled The Invention of Masochism<\/em>. Croatian Literature in Austria-Hungary<\/em>.<\/td>\n<\/tr>\n

\nProfessor Borislav Kne\u017eevi\u0107
\n<\/strong>Borislav Kne\u017eevi\u0107 is Professor in the Department of English at the Faculty of Humanities and Social Sciences, University of Zagreb. He teaches courses in Victorian literature, the modern British novel and history of the English novel. As visiting assistant professor he worked at Wake Forest University in 1998-2000, and again in 2003\/4.
\nHe is the author of two books: Figures of Finance Capitalism. Writing, Class, and Capital in the Age of Dickens<\/em> (2003) and Reading Joyce after the Postcolonial Turn <\/em>(2012). He has also published a number of articles dealing with Victorian novels, topics in film studies, and approaches to the study of English literature as an academic discipline. His work, both in the two books and in the published articles, has most often been focused on social and economic topics in English literature. He is currently working on thematizations of work in Victorian literature.<\/td>\n<\/tr>\n
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\"\"Jelena \u0160esni\u0107, Full Professor<\/strong>
\nI teach American literature and culture in the Department of English at the Faculty of the Humanities and Social Sciences in Zagreb, where I am also the Chair of American Studies Program. My research \u00a0is focused on the American and transatlantic nineteenth-century, methodologies of American Studies, the cultural production of the Anglophone Croatian diaspora, and memory studies.
\n<\/strong><\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/strong><\/p>\n

\"\" Martina Domines, Associate Professor<\/strong>
\nMartina Domines is Associate Professor in the English Department, Faculty of Humanities and Social Sciences, University of Zagreb, Croatia. She is the author of William Wordsworth and Romantic Memory <\/em>(William Wordsworth i romanti\u010dko sje\u0107anje<\/em>, Zagreb: FFPress, 2021) and co-editor with Cian Duffy of Romanticism and the Cultures of Infancy<\/em> (Cham Switzerland: Palgrave Macmillan, 2020). She has published widely on the writers of British Romanticism. Her interests include literary history, the intersections of ethics, aesthetics and politics, trauma theory and the new poverty studies. Since she finished the programme of the Centre for Women\u2019s Studies, Zagreb, in 2021, her interests have been enlarged to include women\u2019s writing with the special focus on the British working-class women writers.
\nShe is currently the deputy head of the English Department and the vice-president of the Croatian Association for the Study of English.<\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Professor Tatjana Juki\u0107 Principal Investigator Tatjana Juki\u0107 is Professor and Chair of English Literature in the Department of English at the Faculty of Humanities and Social Sciences, University of Zagreb, where she teaches Victorian literature and arts, and film studies. She has been invited to lecture on literary history, theory and film by universities and …<\/p>\n

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